Since his 1988 debut with As Tears Go By, Wong Kar-Wai has established himself as one of Hong Kong’s premier filmmakers, both locally and internationally. He is one of the major success stories to come out of the region’s ‘Second Wave’ of art cinema, courting huge international interest with his enigmatic and individual film style. Wong’s unique approach to filmmaking could be viewed as … Continue reading Shifting and Uncertain Identity in the Films of Wong Kar-Wai